Vincent Willem van Gogh (30 March 1853 ¨C 29 July 1890) was a Dutch Post-
Impressionist artist. His paintings and drawings include some of the world's
best known, most popular and most expensive pieces.
Van Gogh spent his early adult life working for a firm of art dealers. After
a brief spell as a teacher, he became a missionary worker in a very poor
mining region. He did not embark upon a career as an artist until 1880.
Initially, van Gogh worked only with sombre colours, until he encountered
Impressionism and Neo-Impressionism in Paris. He incorporated their brighter
colours and style of painting into a uniquely recognizable style, which was
fully developed during the time he spent at Arles, France. He produced more
than 2,000 works, including around 900 paintings and 1,100 drawings and
sketches, during the last ten years of his life. Most of his best-known
works were produced in the final two years of his life, during which time he
cut off part of his left ear following a breakdown in his friendship with
Paul Gauguin. After this he suffered recurrent bouts of mental illness,
which led to his suicide.
The central figure in Van Gogh's life was his brother Theo, who continually
and selflessly provided financial support. Their lifelong friendship is
documented in numerous letters they exchanged from August 1872 onwards. Van
Gogh is a pioneer of what came to be known as Expressionism. He had an
enormous influence on 20th century art, especially on the Fauves and German
Expressionists.
In July 1869, at the age of fifteen, he obtained a position with the art
dealer Goupil & Cie in The Hague through his Uncle Vincent ("Cent"), who had
built up a good business which became a branch of the firm. After his
training, Goupil transferred him to London in June 1873, where he lodged at
87 Hackford Road, Brixton and worked at Messrs. Goupil & Co., 17 Southampton
Street. This was a happy time for Van Gogh: he was successful at work, and
was already, at the age of 20, earning more than his father. He fell in love
with his landlady's daughter, Eug¨Śnie Loyer, but when he finally confessed
his feeling to her, she rejected him, saying that she was already secretly
engaged to a previous lodger. Vincent became increasingly isolated and
fervent about religion. His father and uncle sent him to Paris, where he
became resentful at how art was treated as a commodity, and he manifested
this to the customers. On 1 April 1876, it was agreed that his employment
should be terminated.
His religious emotion grew to the point where he felt he had found his true
vocation in life, and he returned to England to do unpaid work, first as a
supply teacher in a small boarding school overlooking the harbour in
Ramsgate; he made some sketches of the view. The proprietor of the school
relocated to Isleworth, Middlesex. Vincent decided to walk to the new
location. This new position did not work out, and Vincent became a nearby
Methodist minister's assistant in wanting to "preach the gospel everywhere."
At Christmas that year he returned home, and then worked in a bookshop in
Dordrecht for six months, but he was not happy in this new position and
spent most of his time in the back of the shop either doodling, or
translating passages from the Bible into English, French, and German. His
roommate from this time, a young teacher called Gorlitz, later recalled that
Vincent ate frugally, preferring to eat no meat. In an effort to support his
wish to become a pastor, his family sent him to Amsterdam in May 1877 where
he lived with his uncle Jan van Gogh, a rear admiral in the navy. Vincent
prepared for university, studying for the theology entrance exam with his
uncle Johannes Stricker, a respected theologian who published the first
"Life of Jesus" available in the Netherlands. Vincent failed at his studies
and had to abandon them. He left uncle Jan's house in July 1878. He then
studied, but failed, a three-month course at the Protestant missionary
school (Vlaamsche Opleidingsschool) in Laeken, near Brussels.
In January 1879 Van Gogh got a temporary post as a missionary in the village
of Petit Wasmes in the coal-mining district of Borinage in Belgium, bringing
his father's profession to people felt to be the most wretched and hopeless
in Europe. Taking Christianity to what he saw as its logical conclusion,
Vincent opted to live like those he preached to, sharing their hardships to
the extent of sleeping on straw in a small hut at the back of the baker's
house where he was billeted; the baker's wife used to hear Vincent sobbing
all night in the little hut. His choice of squalid living conditions did not
endear him to the appalled church authorities, who dismissed him for
"undermining the dignity of the priesthood." After this he walked to
Brussels, returned briefly to the Borinage, to the village of Cuesmes, but
acquiesced to pressure from his parents to come "home" to Etten. He stayed
there until around March the following year, to the increasing concern and
frustration of his parents. There was considerable conflict between Vincent
and his father, and his father made enquiries about having his son committed
to a lunatic asylum at Geel. Vincent fled back to Cuesmes where he lodged
with a miner named Charles Decrucq, with whom he stayed until October. He
became increasingly interested in the everyday people and scenes around him,
which he recorded in drawings.
In 1880, Vincent followed the suggestion of his brother Theo and took up art
in earnest. In autumn 1880, he went to Brussels, intending to follow Theo's
recommendation to study with the prominent Dutch artist Willem Roelofs, who
persuaded Van Gogh (despite his aversion to formal schools of art) to attend
the Royal Academy of Art. There he not only studied anatomy, but the
standard rules of modelling and perspective, all of which, he said, "you
have to know just to be able to draw the least thing." Vincent wished to
become an artist while in God's service as he stated, "to try to understand
the real significance of what the great artists, the serious masters, tell
us in their masterpieces, that leads to God; one man wrote or told it in a
book; another in a picture." |




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